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This allows for the interpretation of a wider range of colours. Meanwhile, the RGB method has three inks and creates new colours from the variation of their light.
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White is created from the absence of these colours and black is created from the sum of these colour profiles. In short, CMYK profiles have four inks and create colours from the superposition of these. The difference between the two methods lies in the way they interpret the colours they have. With RIP software you can operate with CMYK and RGB colour profiles. It is important to consider colour management. Inèdit always recommends RIP software with modes specifically designed for DTG printing. But which key features should be measured when looking for the right RIP software? In other words, if you invest in a DTG printer, whether industrial or desktop, RIP software is the solution to allow manufacturers to get the most out of a printer’s functionalities. It does this while considering the productivity of the printing device. RIP software is responsible for interpreting a file and calculating how many drops of each colour will be needed to obtain the best results. Manufacturer’s must learn about the printers, the inks, the fabrics, and especially the software to enhance results. For this reason, DTG is gaining more and more strength as it allows companies to choose from a wide range of devices which can adapt to the needs of each manufacturer and situation on an individual basis, thus simplifying customisation in the fashion and apparel market.īehind every good DTG print, there is a learning process based on the technology used to create a workflow, how this technology has been adapted to meet the needs of the print service provider, and the requirements of the end consumer. It enables companies to be more flexible in responding to both individual orders and larger print runs.įrom a supply chain point of view, there is a requirement among print service providers for both machine types, either through synergies or by expanding resources. They will be able to print their own designs on-demand and with no minimum or maximum number of repetitions. With this model, companies provide users with a production centre in just a few clicks. Today, a hybrid between the two previous models is emerging and the popularisation of mass customisation, boosted by the growth of ecommerce, is facilitating that. In contrast, the industrial printers are responsible for larger runs in factories that focus on outsourcing.
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Traditionally, the first ones were found in local businesses where very short customisation runs or premium clothes were produced. There are two types of machines on the market: commercial and industrial. The basis of DTG production is finished and, in many cases, pre-prepared garments, which can be used for customisation both on a large scale and in small volumes. This is because of the technology’s ability to customise garments. While the process is challenging and the workflow must be well understood, technological advances in software, printing equipment, print heads and inks, have allowed the creation of more cost-effective solutions for short print runs.ĭirect-to-garment printing represents a growing segment of this market. The importance of digital textile printing has grown significantly throughout the last decade.
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